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Michelangelo Merisi da Caravaggio, (1571  1610)  Saint Jerome Writing  Oil on canvas, 	c. 1605-1606  112 cm × 157 cm (44 in × 62 in)  Galleria Borghese, Rome, Italy
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Title: Saint Jerome Writing
Description:

Michelangelo Merisi da Caravaggio, (1571 1610)
Saint Jerome Writing
Oil on canvas, c. 1605-1606
112 cm × 157 cm (44 in × 62 in)
Galleria Borghese, Rome, Italy

Saint Jerome Writing is an oil painting by Caravaggio, circa 1605-1606. This picture is housed in the Galleria Borghese of Rome. Another version of the St. Jerome Writing is in Valletta, and a Saint Jerome in Meditation by Caravaggio is in the monastery of Montserrat, Spain.

Just as Protestants wished to translate the Bible into local languages to make the Word of God accessible to ordinary believers, so Catholics were keen to justify the use of the standard Latin version, made by St. Jerome in the late 4th century. Jerome had been baptized by one pope, had been given his task as translator by another and had called St. Peter the first bishop of Rome. Among the Latin Fathers of the Church he was a powerful ally against modern heretics, who attacked the cult of the saints, restricted the use of Latin to the learned and viewed the papacy as the whore of Babylon. It was wholly appropriate that this image was bought by Scipione Borghese soon after he was made a cardinal in 1605 by his uncle, the new Pope Paul V.

In pre-Reformation days Jerome was shown with a pet lion and a cardinal's hat. Now Catholic reformers wished to pare religious art down to its essentials, and the good-living cardinal, whose ample features were to be sculpted and caricatured by Bernini, acquired a painting that was as austere as it was sombre. The thin old man, whose face is reminiscent of the model who had been Abraham, Matthew and one of the Apostles with Thomas, sits reflecting on a codex of the Bible while his right hand is poised to write. as in the Renaissance, Antonello da Messina and Albrecht Dürer had made him into a wealthy scholar, Caravaggio reduces Jerome's possessions to a minimum. The text he holds open, a second closed one and a third kept open by a skull are perched on a small table. Harsh lighting emphasizes the sinewy muscles of his tired arms and the parallel between his bony head and the skull - man is born to die, but the Word of God lives forever.

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Michelangelo Merisi da Caravaggio, (1571  1610)  The Flagellation of Christ  Oil on canvas, 1607  286 cm × 213 cm (113 in × 84 in)  Museo di Capodimonte, Naples, ItalyMichelangelo Merisi da Caravaggio, (1571  1610)  Saint Jerome Writing  Oil on canvas, 	c. 1605-1606  112 cm × 157 cm (44 in × 62 in)  Galleria Borghese, Rome, ItalyMichelangelo Merisi da Caravaggio, (1571  1610)  Boy with a Basket of Fruit  Oil on canvas, 	c. 1593  70 cm × 67 cm (28 in × 26 in)  Galleria Borghese, Rome, Italy
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