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Michelangelo Merisi da Caravaggio, (1571  1610)  David with the Head of Goliath  Oil on wood, c. 1607  90.5 cm × 116.5 cm (35.6 in × 45.9 in)  Kunsthistorisches Museum, Vienna, Austria
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Title: David with the Head of Goliath
Description:

Michelangelo Merisi da Caravaggio, (1571 1610)
David with the Head of Goliath
Oil on wood, c. 1607
90.5 cm × 116.5 cm (35.6 in × 45.9 in)
Kunsthistorisches Museum, Vienna, Austria


David with the Head of Goliath, c. 1607, in the Kunsthistorisches Museum Gemäldegalerie, Vienna, is a painting by the Italian artist Caravaggio (1571-1610). Peter Robb believes it to have been acquired by the conde de Villamediana in Naples between 1611 and 1617, as Giovanni Bellori records Villamediana as having returned to Spain with a half-figure of David by Caravaggio.

The exact moment depicted appears to be that referred to in I Samuel 17:57: "When David came back after killing the Philistine, Abner took him and presented him to Saul with the Philistine's head still in his hand." The pose is a usual one for the episode, showing David striding in triumph with the head in his hand. In the Boghese version this has d to an unconventional frontal presentation of the head toward the viewer, who is thereby placed in the position of Saul.

The painting can be compared with the David with the Head of Goliath in the Galleria Borghese, which dates from either 1607 or 1609/10. The two are very similar - Caravaggio frequently explored a subject in multiple variations, most notably his many versions of John the Baptist - but the Vienna painting is less 'dark' in mood, the David more triumphant than the introspective and oddly compassionate David of the Borghese, and the head of Goliath, widely accepted as a self-portrait of the artist in the Borghese, is more generic.

The model for David in both versions appears to be a more mature version of the pubescent Cupid of Amor Vincit Omnia and the Capitoline and Pamphilij John the Baptist, all painted around 1602. The model for these works has been identified by some, most notably Peter Robb, as Cecco, a boy known to have been Caravaggio's servant in Rome in the early 1600s and believed by Robb to be identical with Cecco del Caravaggio, an artist active in Rome in the period 1610-1625 and painting very much in Caravaggio's manner. There is no record of Cecco having been with Caravaggio after the artist's flight from Rome in 1606.

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Michelangelo Merisi da Caravaggio, (1571  1610)  Nativity with St. Francis and St. Lawrence  Oil on canvas, 1609  268 cm × 197 cm (106 in × 78 in)  San Lorenzo, Palermo, Italy (stolen in 1969)Michelangelo Merisi da Caravaggio, (1571  1610)  David with the Head of Goliath  Oil on wood, c. 1607  90.5 cm × 116.5 cm (35.6 in × 45.9 in)  Kunsthistorisches Museum, Vienna, AustriaMichelangelo Merisi da Caravaggio, (1571  1610)  David and Goliath  Oil on canvas, 1599  110 cm × 91 cm (43 in × 36 in)  Museo del Prado, Madrid, Spain
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