Art

 Friend
Promovouchers UK
http://www.promovouchers.co.uk/
 Popular Gallery
 Maps
 Help development
 Art

John William Waterhouse (6 April 1849  10 February 1917)  The Lady of Shalott  Oil on canvas, 1888  153 cm × 200 cm (60 in × 79 in)  Tate, London, UK
Goback 7 / 86 Forward

Title: The Lady of Shalott
Description:
 
John William Waterhouse (6 April 1849 — 10 February 1917)
The Lady of Shalott
Oil on canvas, 1888
153 cm × 200 cm (60 in × 79 in)
Tate, London, UK

The Lady of Shalott is an 1888 oil-on-canvas painting by the English Pre-Raphaelite painter John William Waterhouse. The work is a representation of a scene Lord Alfred Tennyson's 1832 poem of the same name, in which the poet describes the plight of a young woman (loosely based on Elaine of Astolat, who yearned with an unrequited love for the knight Sir Lancelot) isolated under an undisclosed curse in a tower near King Arthur's Camelot. Waterhouse painted three different versions of this character, in 1888, 1894 and 1916.

According to legend, the Lady of Shalott was forbidden to look directly at reality or the outside world; instead she was doomed to view the world through a mirror, and weave what she saw into tapestry. Her despair was heightened when she saw loving couples entwined in the far distance, and she spent her days and nights aching for a return to normality. One day the Lady saw Sir Lancelot passing on his way in the reflection of the mirror, and dared to look out at Camelot, bringing about a curse. The lady escaped by boat during an autumn storm, inscribing 'The Lady of Shalott' on the prow. As she sailed towards Camelot and certain death, she sang a lament. Her frozen body was found shortly afterwards by the knights and ladies of Camelot, one of whom is Lancelot, who prayed to God to have mercy on her soul. The tapestry she wove during her imprisonment was found draped over the side of the boat.

part IV of Tennyson's poem:
And down the river's dim expanse

Like some bold seer in a trance,
Seeing all his own mischance—
With glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Tennyson's verse was popular with many of the Pre-Raphaelite poets and painters, and was illustrated by such artists as Dante Gabriel Rossetti, William Maw Egley, and William Holman Hunt. Throughout his career, Waterhouse was preoccupied with the poetry of both Tennyson and John Keats, and between 1886 and 1894 he painted three episodes the former's epic.

Although the painting is typically Pre-Raphaelite in composition and tone, its central framing, as well as the linear echoes between the leaves of the overhanging trees and the hair and creases of the lady's dress and tapestry, betray formal and spatial elements borrowed the earlier Neo-Classical style. It is typically Pre-Raphaelite in that it illustrates a vulnerable and doomed woman and is bathed in natural early-evening light. The lady is portrayed staring away the crucifix, which sits beside three candles. During the late nineteenth century, candles were often used to symbolise life: In this image, two have blown out.

The Lady of Shalott was donated to the public by Sir Henry Tate in 1894.

Hits: 11126
Direct Link
HTML code
BB code
Goback 7 / 86 Forward
John William Waterhouse (6 April 1849  10 February 1917)  Jason and Medea  Oil on canvas, 1907  134 cm × 107 cm (53 in × 42 in)  Private collectionJohn William Waterhouse (6 April 1849  10 February 1917)  The Lady of Shalott  Oil on canvas, 1888  153 cm × 200 cm (60 in × 79 in)  Tate, London, UKJohn William Waterhouse (6 April 1849  10 February 1917)  The Magic Circle  Oil on canvas, 1886  183 cm × 127 cm (72 in × 50 in)  Tate Britain, London, UK
 Welcome in Gallery

We are proud to say we are one of the largest and most comprehensive online collections. On our pages you will find over 10,000 works of art. We are dedicated to bringing you quality information about artists and their artwork all around the world.

2017 All right reserved Web Gallery