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Brulloff Karl (1799 - 1852)  Portrait YU.P Samoilova with Dzhovaninoy Pachini and a black boy  Oil on canvas, 1832-1834  Private Collection, California, USA
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Title: Portrait YU.Samoilova with Dzhovaninoy
Description:

Brulloff Karl (1799 - 1852)
Portrait YU.P Samoilova with Dzhovaninoy Pachini and a black boy
Oil on canvas, 1832-1834
Private Collection, California, USA



All because of his inspired talent put into Brullov image of a close friend and unwavering fan of his art Countess Julia Samoilova Pavlovna.

Different beauty, expansivity character as a "royal blood" (she was last in the kind of graphs Skavronskih linked by ties of kinship with Catherine 1), Y. Samoilova kept a fairly independently. Holder of the vast state, it has a free way of life, causing constant frustration Nicholas 1. In the name of "Slavyanka" near St. Petersburg met prominent figures of literature and art, and in Milan villa there Bellini, Rossini, Donizetti, Pachini, little daughter whom she adopt.

As a frequent guest in the house Samoilova, Bryullov found sabbath in the world favorite music. Many times accompanied Julia P. his friend during his wanderings in Italy.

The portrait of J. P. Samoilova Bryullovym was initiated immediately after the "rider." Certainly, it was preceded by a lengthy elaboration of the outline and pencil sketches. Knowing the creative method Bryullova, suggests the existence of unknown workers albums 1832 1834-ies.

In the portrait Samoilova Bryullov most fully revealed keen on the theme of the celebration of his life. The image of women and a beloved friend has made to the portrait of a particular joy higher order thinking and feeling. in portrait Samoilova harmoniously combining agility observation Entertainment parade with a large portrait.

With great power credibility Bryullov reflected the sentiments vladevshie his heroes: impetuosity and negu Samoilova, credulity and tenderness Dzhovaniny, reverence and amazement arapchonka. Covered by a single gusts, they are moving forward. Traffic was captured overnight, did not violate the Brullov monumental canvas. This ability to synthesize their artistic impression, maintaining vitality and immediacy of expression, was one of the strengths of the creative gift Bryullova.

In group dominates Bryullov portrait image YP Samoilova. After typing in song and image Dzhovanniny arapchonka, Bryullov reduced their role to the importance of the accompaniment, shielding the main theme of the triumph of the sound of beauty and youth Samoilova.

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Goback 38 / 195 Forward
Brulloff Karl (1799 - 1852)  Portrait of Grand Duchess Elena Pavlovna and Her Daughter Maria  [       ]  Oil on canvas, 1830  265x185   The Russian Museum, St. Petersburg, RussiaBrulloff Karl (1799 - 1852)  Portrait YU.P Samoilova with Dzhovaninoy Pachini and a black boy  Oil on canvas, 1832-1834  Private Collection, California, USABrulloff Karl (1799 - 1852)	  In a Harem  By Allah s Order Underwear Should Be d Once a Year  Oil on canvas, 1850-1852  The Gallery of New Art, Milano, Italy
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